الرؤى الجمالية للتكوينات النحتية المدورة في ساحات بغداد المعاصرة : دراسة تحليلية

Abstract EN

t: The circular sculpture is one of the broadest sculptural products in its aesthetic impact on the audience of recipients, for the most important reasons being the rotation of the receiver's vision to (360 degrees) around the details of the building, as well as the most influential approach with realistic images that achieve in the recipient the features of familiarity with the rotating sculptural text, Thus the circular sculpture possesses aesthetic visions that it broadcasts and interacts with, according to the mutual influence between the place and time in which the rotating sculpture lives.

.

.

On the other hand, we can consider the rotating sculptural formation one of the most important aesthetic products of artistic sculptures by fabricating its shapes for the interaction of lines of perspective with spatial perceptions, This vanishing horizon is wider In the diversification of what is achieved with other forms of sculpture, as sculpture of this type can be seen and influenced in all directions, whether horizontal or vertical.

Accordingly, we find that the aesthetics of these artistic monuments in the squares of the city of Baghdad need to be studied to reveal their visions of aesthetic action in the conscience of the recipient, Our research is an attempt to highlight those features achieved within the contemporary vision in the city of Baghdad, and then show their effectiveness at the level of geographical location and the systems of movement of place With the lines of consideration in them The sculptural monuments in cities are nothing but an artistic system that affects the aesthetic structure of the place, as well as its effect on the ) 621 (.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

masses of recipients by raising their aesthetic aw Key words: Aesthetic visions, sculptural formations الفصل