الترابط الدلالي بين بدايات السور و القصص القرآني فيها

Abstract EN

The Qur'anic text has special features, individual features, and phenomena that do not find a counterpart in any other text.

All this if we study it far from its sacred character as a highly literary text, rather it is the goal of literary, graphic and artistic performance.

One of his features that the research deals with revealing about it is that his stories in each surah are affected by what that surah begins, so his stories are directed based on the psychological atmosphere in which the beginning of the surah is framed, and this is evident in what its scenes are shaped, its images are formed on it, and its events are built.

The stories will reveal the effects of God’s grace and mercy on his servants if the surah opens with guidance and mercy, but if it begins with warnings and threats, then the stories come out indicating the state of the people who reject their prophets, and each story concludes with the nature of the torment that afflicted every nation that abused its prophet.

The research dealt with the manifestation of this Qur’anic phenomenon two surahs that came as a consequence, namely the two surahs (poets and ants), the first of which began with the amusement of God, His Prophet about the non-belief of his people, then the stories came to show the state of stubborn nations and what God did with them, and the second surah began with guidance and mercy, and its stories were arranged in a statement of mercy God is to the worlds by sending messengers and sending prophets, and I mentioned people who were converted by their prophets.

This phenomenon is a characteristic of the Qur’an text and the research was privileged to stand up for it and manifest it.