التمويه التشكيكي في الشعر العباسي

Abstract EN

The conclusion of the research that the poetic methods did not exist in The Arab poetry only to express the human self in all time and place and these methods in the title of poets in description and photography between love and pain and sadness and separation and praise and lamentation and mockery of a judgment documenting the reality of man and his experiences that correspond to the human conscience and his tendencies, these methods come harmonious between honesty and lies, truth, imagination, in part of the boa, the shoes, and the artistic ability and the ability at times.

To influence the recipient and attract and camouflage about the ideas and visions of the poet creative art and present it all within the aspect of art and style, which is the skeptical camouflage in order to impart the aesthetic of the soul, description, expression, and the launch of emotions in the world of poetic imagination through these artistic camouflages thanks to the harnessing of the elements of poetic language and the extent of the manipulation of the poetic language and the extent of the manipulation of both verbal, intellectual and artistic in the presentation of models of compatibility of the soul contradictions of humanity and simulated by models that simulate the experiences of poets and absorb their perceptions and feelings suddenly Poetry is compatible with the visions of poets in the presentation and influential photography as this art absorbed their ingenuity.