جمالية الرمز في الشعر الجزائري الحديث : دراسة بلاغية لمقتطفات شعرية عند مفدي زكريا

Abstract EN

The context of our conversation here is about symbolism and its aesthetics in modern Algerian poetry.

This symbol, which is mainly based on the principle of discovering a kind of essential similarity between two things, is a self-discovery, innovative, and the combination of sensual and moral in a charming, suggestive and leading to the meaning of an excellent performance, where it deepens the meaning and gives it an artistic and aesthetic dimension.

The human psyche drives it to think, stop and even stand up.

This is what was found in modern Arab poetry in general and Algerian in particular.

Based on the foregoing, the idea of this intervention marked with “Aestheticism of the symbol in modern Algerian poetry - a rhetorical study of poetry extracts at the heart of Zakaria” - sheds light on the aesthetic and artistic dimension of the symbol in Algerian poetry, and with the chief of Zakaria in particular, and to answer what I thought that I present a set of problems, perhaps the most important of them: What is the symbol language and terminology? And where does his beauty lie? How did the poet Moufdi Zakaria employ the types in his poems? Also, what is the aesthetic effect of the employee symbol in the selected quotes on the reader's psychology?