الأوبرا-أوراتوريو "الملك أوديب" لإيغور سترافينسكي و المسرح الموسيقي المعاصر : الليبريتو، الحلولالمسرحية و دور الكورال

Abstract EN

The current research aims at analyzing the dramatic structure of Stravinsky's opera-oratorio “Oedipus rex”, the symbolism of its theatrical methods and the role of the choir, which is equivalent to the role of the chorus in ancient Greek tragedy and their sources in historical and contemporary theater.

a descriptive-analytical methodology is used in the analysis of the music, and a comparative analysis in the comparison of the work with Sophocles' tragedy.

the researcher uses Stravinsky's writings and dialogues with r.

Kraft, s.

Walsh's book “Stravinsky.

Oedipus rex”, and the writing Meyerhold on static theater and other methods.

“Oedipus rex” represents a hybrid genre uniting elements from the opera, the oratorio and contemporary theater, and employs a number of alienation instruments.

the role of the choir combines several functions m such as representing the people of Thebes and the hidden forces of destiny.