تناص السرد القصصي للكتب السماوية في رسوم عصر النهضة الاوربية و الرسوم الإسلامية

Abstract EN

Current research means study "Intertextuality Narrative of the story For heavenly books in the European Renaissance fees and Islamic fees" It is located in four classes, The first chapter is devoted to illustrating the research problem which was determined by a study Intertextuality Narrative of the story For heavenly books in the European Renaissance fees and Islamic fees and how to operate mechanisms of Intertextuality between these actions, The importance of research was evident in focus The justification for the study is: Determine the nature of operating mechanisms of Intertextuality Intellect and practice within the scope of the narrative of the story, In light of a conceptual philosophical position To represent the religious story between Islamic and Christian artwork, As a scientific step towards devoting a conceptual approach between Islamic and Christian art, The study aimed to: Detect Intertextuality Narrative of the story For heavenly books in the European Renaissance fees and Islamic fees, The search limits are included Temporal, spatial and objective limits on the study and analysis of pictorial works (Scrolls, murals, oil paintings) Art Renaissance European and Islamic fees for (1300-1750 AD), A number of terms mentioned in the research were also reviewed and discussed, The second chapter dealt with the theoretical framework and in two topics The first is the concept of religious narration of the story and its applications in art, The second dealt with the concept of intertextuality and working mechanisms, Then came previous studies and was discussed, As well as extracting and discussing indicators to be used in formulating the research tool, As for the third chapter, it included the research procedures, Chapter four contained the results of the research, conclusions, recommendations, and proposals, Among the most important results reached by the researchers are:1-The Christian and Muslim artist was able to present a unique vision In inspiring all integrated with Gestalt vision Before moving through the part, What creates a sense of event time, It is measured by the acquired moment to reach the recipient And by moving from one point to another, Through the internal time, Incarnate of the event cited by the artist.2- Christian and Muslim artists played as an attribute of contradictions and refined them with a single template And with great harmony to absorb what supports and support the text About transforming these ideas and extracted images And by the(intertextuality) to the contents embodied and unified with high consistency, Also, they worked against some aspects of the text while sharing ideas in dialogue and Adjacent.