قصيدة السرد في شعر فاضل العزاوي (المعلقة الثامنة التي لن تعلق ابدا)‎ اختيارا

Abstract EN

It is necessary to start from a correct conception that places the creative process in modern literature in its correct objective framework, which is the openness of its multiple literary genres among themselves.

We have the phenomenon of the practising poet for his creativity and poetic vision of non-poetic elements, multiple and open, borrowing from other literary arts (such as the novel, story, drama...) unusual techniques in the poetic text through which he monitors his text to elevate it artistically, aesthetically and psychologically, with a special celebration of language and the explosion of its metaphorical spaces to the extent of approaching the narration and investing its techniques that most tend towards drama through the multiplicity of events, personalities, times and places.

This allows colouring his poetic discourse with narrative structures that expand the semantic horizon of the text and go beyond the usual stereotyping of the poetic text with its rules, mechanisms and fixed laws.