الأدب التفاعلي التقنيات النصية و الأبعاد الفنية و الجمالية

Abstract EN

Literature, most certainly, witnesses new forms of symbolic manifestations.

Adopting new technological techniques and electronic instruments.

Each era, indeed, has its own characteristics, by which individuals would express their relationship with the outer world and their conceptualization of existences in so many symbolic forms, particularly with forms that have a cognitive mechanisms and approaches for available communication.

Thus, interactive literature or digital literature that goes hand in hand with modern-day technology.

Undoubtedly, this opens up spaces for conceiving the world in another perspective.

Moreover, it defines a relocating state for what does existence and cognition mean.

Interactive literature offers readers new aesthetic criteria that was not found before in texts as a characteristic to account for collective composition for digital texts, as well as fostering relationship that lead to the diversity of texts according to readers' necessity.

Contrastively, however textual literature whereby beginning are unified and endings are limited.

This kind of digital writing offers a vast space of overlapping and interactivity between writers and the target audience.

These latter would be shortly after that creators in interactive texts that does not take consideration only to the lone creator of the text and open vast spaces to reader for creativity acts to contribute, by this interactive reading, in the enrichment of an unlimited number of texts.

Is it possible to talk of a new emergence of literature for his own producer and receiver ? - Could one say that the threshold of an expressive electronic technical form that realizes digital creative practice?