بنية الإيقاع في الشعر الصوفي الجزائري الحديث

Abstract EN

This article relies on researching the intention of the rhythm in modern Sufi poetry through the Algerian newspaper, Al Balagh, which has prepared the media constitution for the Sufis of Algeria for more than two decades between 1931 and 1945.

There is no Sufi poet except in which he organized poetry during that era, which are poems that we may not find in individual collections due to the deplorable conditions of printing during that period, but they are widespread in such newspapers.

Was the modern Sufi poetic rhythm rich from an acoustically technical point of view as Eastern Sufi poetry or was it traditionally closed and conservative?