الشخصية في مسرح الحلقة ودورها في تأصيل المسرح الجزائري عند كاكي

Abstract EN

The theatrical discourse is based on the interest in the visual image, which the contemporary director adopts as a backbone for the success of his theatrical performance.

the fact that the image produces thousands of meanings, semantic, indicative and trademark formats, as well as aesthetics, to give the presentation the intellectual and sensual pleasure that the director works to create and make good use of.

therefore, it is not possible for any visual speech to convey its message to the recipient without the director's interest in the image of his theatrical performance.