شعرية العتبات في ديوان (لا أحد يربي الريح في الأقفاص)‎ ل (الأخضر بركة)‎

Abstract EN

Contemporary critical studies have opened up new horizons for reading, significance and interpretation, so they paid attention to elements that were not - in the account of the ancient criticism- one of the elements of the literary text surrounding it, thus radically changing theconcept of literature by bringing it out into wider and more comprehensive spaces.

This is the result of the increasing interest on the poets', novelists' and writers' parts with textual thresholds; to be rich in text, containing a huge amount of symbols, drawings, and signs, which has, thus, become an essential component in the being of the literary text, as it has a close relationship with its body.

Whenever the reader is able to control the understanding of the thresholds of the text, he takes magic analysis keys that enable him to decipher the text's closures, dive into its depths, and discover its significance.

This strategic convergence between the thresholds and the body is the goal of our study, which we devoted to the book "None Raises Wind in Cages" for Al- AkhdarBarka.