التعالق الاستعاري في الخطاب الشعري عند قاسم حداد : (طرفة بن الوردة انموذجا)‎

Abstract EN

The poetic discourse when Qassim Haddad live the thrill of chaos, like that practiced mercurial movement can not catch his meanings easily, where shock us difficulties open functions on the possible and the unknown, as well as a page, and the white, the eye and the game, and other structural elements of the speech, the text does not begin to end it ends to start, those are Qassim Haddad's strategy in writing, and what we are still in the process of writing the premise of the board poet is characterized by re writing special feature constructivism, the uniqueness of the Qassim Haddad, which shows the process of text and continuous formations, so we decided to have the analysis stems from the text authority not of the standard authority, it is an act of free speech in a building housing a self-writer existence tested in discourse and discourse.

From here I tried in this research to highlight the correlation metaphoric possibilities as one in the detection of poetic discourse.

The metaphor that we intend to approach here is not a linguistic phenomenon resulting from the process of replacing, or reverse a literal meaning to the metaphorical meaning, it is a cognitive process latent in the mind of our systems established pictorial and control our experience of life.

From here approached in this research how to build a woodcutter allegorically in the book (Torah Ben Rose) to Qassim Haddad, through a set of metaphors, namely: a metaphor impact, identification, creation, love and pleasure, the camel, the story of Joseph.

This study has adopted a systematic, writing poetry concepts in the open light.

This poetic betting on Allamnfsal in the language and in the poem, it is also betting on the construction of a poetic discourse flying from the concept of discourse when Bnfnest, who was also a Bnfnest- our starting-point in the study of poetic discourse.