الخطاب الديني في نصوص إليوت المسرحية

Abstract EN

Find boils in four chapters, the first chapter includes a methodological framework, which includes the research problem based on the following question: What are the manifestations of religious discourse in plays (Elliott)? The objective of this research aims to identify search of religious discourse in the texts (Elliott) play.

The second chapter comprising the two sections: Section I: religion and the theater at (Elliott).

While the second section is concerned with: Elliott and modern poetic theater.

chapter ended with previous studies and indicators.

Chapter III deals with research procedures where the research community of six texts play by (Elliott) was chosen as a play (Murder in the Cathedral) as a deliberate sample model.

It turned out that the religious discourse evident in this play Vemoduaha body martyrdom for God, was drafted modern theatrical style of poetry which was founded (Elliott).

Indicates (Elliott) to the man who yearns for martyrdom status at the same time is much to choose Alih.vtltaki man with the will of God's will, especially on the subject of martyrdom and this thing which is agreed upon by all religions: that the issue of martyrdom is located on the people chosen by God for this.

Chapter IV shows the search results, conclusions, and recommendations, and suggestions.

The most important of these results: - playwright adopted (Elliott) on the topics of religious essence of the exchange to include them within the structural fabric of his plays, poetry, religious discourse, as was evident in the play (Murder in the Cathedral).

- Download (Elliott) and the concerns of his community and his people reflected in the achievements of literary and theatrical artistic and aesthetic value by putting them on the writings and arguments on the dramatic text level or at the level of the output Algosaidh.

ouhty theatrical texts by their directors and spirit and hortatory religious level.