البنيات الإيقاعية في (تصلي المآذن)‎ ل (رحمن غركان)‎

Abstract EN

This research seeks to read the rhythmic structure in an Iraqi poetic experience in one group of poetry (praying minarets) of the poet (Rahman Ghargan), has been distributed on six axes are five rhythmic structures as I mean the first axis of the term, and its concept I mean (rhythm, and Poetic rhythm) to clarify the term rhythm, which sticks to the definition of the many definitions of the ancients and contemporaries of it even when the rhythm became an independent science from science in our contemporary cultural life.

The poetic rhythm is a type in the rhythm The research follows his models in the poetic text that reads this research a group of which is (praying minarets) in this axis to distinguish poetic rhythm in particular from the rhythm in general, and then concludes to the other five axes, namely: rhythm weight where The research works to clarify it as a term and then the rhythmic data in the texts of the poetry group over the course of this reading, and the rhythm of rhyming, then the rhythm of repetition, then the rhythm of addressing and then the rhythm of style.

It then concludes with results of rhythmic structures in the aforementioned poetic group.