جماليات التناص في شعر إسماعيل إبراهيم شتات : قصيدة الطحالب و ألغاز لا تحصى أنموذجا

Abstract EN

The intertextual theory is revolved around the idea of a technical exercise which is about the conception that the meaning is not just locked into one theme/ idea or one text but it is always a subject to rationale complement.

Acknowledging that there is no earlier expression free of any interference opens the door for the saying that the text is the result of the interaction between previous texts with others.

These interactions were overlapped together giving us different cultural, sociological and historical patterns/ formats.

This study comes as a critical examination/ review inside the poem of algae and countless mysteries as a model, this study aims to explore and explain the concept of intertextualism from all its prospective.

It is structured and formed about the main terminologies and conceptions that open the literary text onto other texts as well as aesthetic representations for intertextualism.

So: How did the intertextualism, which is considered as partial mechanical, contribute the analysis of texts in the research of the rules which made up the poetic text? What is the aesthetic vision added to the poetic text? What is the purpose from the combination of intertextualism with other different literary texts, whether the present or ent texts?