التشكيل العروضي : دراسة في قصيدة "فدائية من المدينة" لمحمد الصالح باوية

Abstract EN

Through the presentresearch,weaim to present the experience of the Algerian poet Mohamed Al-Saleh Bawia,in the compositions of the free poem, through an appliedstudy of the poem "Fidaya/Fighter from the city" fromhis collection "Militant Songs", emphasizing the poeticprosodyt and the phenomenon of paradoxical rotation, as well as the creepingdisplacementsExplain the importance of thesetributaries in the activation of the rhythmicmovement of the poetictext,and the extent of its compatibility with the philosophy of the pioneers of the Arab Orient poets.

As for the objectives envisagedfrom the research, they are to praise the role of ourpoet in the establishment and activation of the free poetrymovement in Algeria, and the role of the editorialrevolution in the propagation of the prosodicpoem.

Just as the revolutionwas a rejection of slavery and a demand for freedom, so the free poemwas in turn a rejection of tradition and a desire for renewal in forms, contents and linguisticsystems.