الحركة التأصيلية للمسرح العربي في ميزان الفكر الغربي

Abstract EN

The rootingmovement of the Arabtheater in the balance of Western thoughtThe problem of the Arabtheateroscillatingbetween the Western model and theatricalformsthat Arhave known in theirpopular culture, stilloccupies a large part of the work of scholars and researchers of the Arabtheater cause, whetherArab or Western theatricalthinkers.

It becomes an urgent need to highlight the history of the Arabtheaterwith a nationalist vision, aiming to avoid the centrality of Western thought danger, thatbesieged the Arabtheaterfrom all sides, and to permit to thislater to achieveitsexistance in theatricalpractice, by creating a theaterthat has itsownpeticuliarity and distinctivenessfrom the culture of the other.

On this basis came the free start of calls for rooting the Arabtheaterwhichcoincidedwith The sixties of the twentiethcentury, whichis the sameperiodthatsaw the independence of the Arab countries from the dominance of French and English colonization.

So, whatcharacterizes the nature of thesefundamentalist calls? Has itreally been able to achieve the independence of the Arabtheater and its distinctive peticuliarity? So what are the basic referencesadopted by these calls for the success of the fundamentalisthypotheses?