تحولات الأزياء دلاليا في العرض المسرحي العراقي

Abstract EN

Fashion is formed by the constructive act of the vocabulary of the technical unit designs for fashion according to engineering, Scientific, aesthetic and dramatic equations that include the cognitive, cultural and intellectual dimensional dimension as well as the apparent (formal) and internal (contents) multiple, branched and diversified indications according to diversity, branching and motility by interetation, interpretation and analyst is The Semantic manifest stations of theatrical Costumes are embodied on the stage within the drama game and through the bodies of the actors who perform their representative roles within The area of movement and formation and the modern andnarratic interaction of the dramatize construction of the theatrical scene Symbolic fashion based on the compatibility of the costume with the personnel components (internal and external)depending on the intellectual dimensions of the theatrical performance? As for the goal of the study (to reveal the transformation of the costume dramatically and semantically in the theatrical show) and in order to achieve the answer to the question of the problem and the goal Theoretical researchers were divided into ruction(the first topic: transformation of the costume in the historical dementia in the historical dimension, the second topic: the design construction of costumes a cording to metamorphic indications the third topic: the dramatic structural costumes ) and the Iraqi theater show discoveries was analyzed as an intentional sample and from the most important finding of the research the semantic verb within the visual discourse is consistent with the dramatic verb line of the characid within the theatrical errant and according to the olute theatrical presentation and the in tellectuall and aesthetic goals and the most and the Iraqi theater show (discoveries) was analyzed as an intentional sample and from The most important findinings of the research the semantic verb with in visual discourse is consistent with the dramatic verb line of the character within the theatrical errant and according to the olute goals and the most important 0f transforming the semen tic attribute falls within the processes of innovation renewal and discover and the research conclusion is based on Scientific sources key word: theater arts philosophy, theater arts philosophy theater techniques, fashion design.