فنية البناء النصي المعاصر، سلطة حضور البداية و علاماتية النهاية : نزار قباني أنموذجا

Abstract EN

In this article, we will engage in what our contemporary Arabic poetry contains, and in particular the Nizari poem of linguistic clues and semantic loads that intensified the authority to attend the main beginning (the title), and its relationship with the beginnings of the texts (its reviews, its openings), and its ends (its rings), which generated coalition relationships between these Partial articulations, even based on an artistic construction with a distinct and unique systemic network, gave the Arabic poem - in general - a concentrated formative value, and the format of my signs, which made the formation and indication dynamic and effective due to the relationships working on it (the relationship of the main beginning - the title - with the reading Or the beginnings and ends of texts), we can describe it in a three-dimensional artistic construction.