إنشائية الصورة الدرامية في العرض المسرحي العراقي

Abstract EN

The emergence of the director in the modern theater had a prominent role in the development of the language of theatrical discourse, which depended heavily on the authority of the word and the text and trying to influence through it.

With the emergence of cinema and the development of presentation techniques and the trend towards visual discourse in all arts, the theater was forced to change its discourse tools, including emphasizing the importance of the image, which became the language of art in the modern era, after the arts.

Including theater, alanguage of importance that may often overcome the spoken language, and thus the division of the research through four chapters formed the first chapter (the problem, importance, limits and goals) and the chapter ended with a definition of the most important terms, while the second chapter, which was concerned with the theoretical framework, which consisted of It was divided into two sections, so the first topic came (the elements of the dramatic image, while the second topic was the creation of the dramatic image in the theatrical performance).

As for the fourth chapter, it came with the resultsconclusions, the research came out with a set of results, the most prominent of which are And discussion and1- The director often resorts to a fixed theatrical scene to reduce the costs of confusion resulting from changing the decor and resorts to a decor that can be easily changed or performs multiple functions to create the dramatic image.