اللاشعور الجمعي في الرسم العراقي المعاصر

Other Title(s)

The collective unconscious in contemporary iraqi painting

Joint Authors

الفتلاوي، عباس نوري خضير
العزاوي، لمى صلاح أحمد حسن

Source

مجلة نابو للبحوث و الدراسات

Issue

Vol. 27, Issue 32 (30 Jun. 2021), pp.109-132, 24 p.

Publisher

University of Babylon College of Fine Arts

Publication Date

2021-06-30

Country of Publication

Iraq

No. of Pages

24

Main Subjects

Arts

Topics

Abstract EN

The current research consisted of four chapters, the first consisted of the general framework of the research, while the second included two topics, one on collective unconsciousness and the second on contemporary Iraqi painting, and the third chapter included research procedures, and the fourth chapter reached the most important conclusions: 1.

The collective subconscious is represented through constructive treatments of artistic paintings and the symbols they produce with connotations embodying the depth of civilized communication.2.

The relationship between the mental image that constitutes the thinking mechanism and is reflected in it by means of manifestation and interpretation interact with it to form the contemporary Iraqi plastic product.3.

The forms of contemporary Iraqi painting seemed to be loaded with individual and collective creative energies (collective emotion) at the same time.4.

The drawings were characterized by a level of artistic awareness, color ability, and historical The current research consisted of four chapters, the first consisted of the general framework of the research, while the second included two topics, one on collective unconsciousness and the second on contemporary Iraqi painting, and the third chapter included research procedures, and the fourth chapter reached the most important conclusions: 1.

The collective subconscious is represented through constructive treatments of artistic paintings and the symbols they produce with connotations embodying the depth of civilized communication.2.

The relationship between the mental image that constitutes the thinking mechanism and is reflected in it by means of manifestation and interpretation interact with it to form the contemporary Iraqi plastic product.3.

The forms of contemporary Iraqi painting seemed to be loaded with individual and collective creative energies (collective emotion) at the same time.4.

The drawings were characterized by a level of artistic awareness, color ability, and historical diagnosis.

American Psychological Association (APA)

العزاوي، لمى صلاح أحمد حسن والفتلاوي، عباس نوري خضير. 2021. اللاشعور الجمعي في الرسم العراقي المعاصر. مجلة نابو للبحوث و الدراسات،مج. 27، ع. 32، ص ص. 109-132.
https://search.emarefa.net/detail/BIM-1320365

Modern Language Association (MLA)

العزاوي، لمى صلاح أحمد حسن والفتلاوي، عباس نوري خضير. اللاشعور الجمعي في الرسم العراقي المعاصر. مجلة نابو للبحوث و الدراسات مج. 27، ع. 32 (حزيران 2021)، ص ص. 109-132.
https://search.emarefa.net/detail/BIM-1320365

American Medical Association (AMA)

العزاوي، لمى صلاح أحمد حسن والفتلاوي، عباس نوري خضير. اللاشعور الجمعي في الرسم العراقي المعاصر. مجلة نابو للبحوث و الدراسات. 2021. مج. 27، ع. 32، ص ص. 109-132.
https://search.emarefa.net/detail/BIM-1320365

Data Type

Journal Articles

Language

Arabic

Notes

يتضمن هوامش : ص. 128-131

Record ID

BIM-1320365