البنية التفوقية في الخزف الياباني المعاصر (Miyashita-Zenji)‎ إنموذجا

Abstract EN

This research concerned me with studying (the superior structure in contemporary Japanese ceramics (Miyashita-Zenji) as a model), which includes the problem of research and identifying the reasons for artistic achievement in the field of contemporary Japanese ceramics, and its technical composition subject to its impact to various factors that led to its achievemen according to the visions And certain horizons, and ended with a question about what the superior structure in contemporary Japanese ceramics (Miyashita-Zenji) as a model), and the second chapter included the theoretical framework that included the first topic the concept of superior structure and the second topic the superior structure in contemporary Japanese ceramics while the third chapter included the research community and analysis of models The research sample, while the fourth chapter includes the results 1- Achieving the superior features of pure, abstract and subjective beauty, which was formulated in a reductionist, non-diagnostic style, and access to non-analogous art as in Form No.

(3).

2- Achieving the aesthetic value of the ceramic shape through graduated color values, and expressing expression through diversity in movement, as in sample samples No.

(1), (2).

And conclusions 1- The superiority of the predominantly engineering system and the trend towards abstraction and simplified forms that led it towards the net formation characterized by its purity and clarity.

2- The Japanese potter presented an individual feeling through the concepts of artistic awareness and self-awareness.

Recommendations and suggestions, and I ended the search with sources