فلسفة الجسد في العرض المسرحي المعاصر : ثنائية الفكر و المادة

Abstract EN

The philosophical question was based on the reasons for the existence of matter, and the body is part of it, and it was combined in multiple and complex dualities.

Interpretations as an attempt to confirm that its existence corresponds to its spiritual manifestation.

Hence, contemporary philosophies have achieved a clear impact on theatrical thought, and these philosophies have received a great deal of attention due to the new direction Who provided a different definition of the body’s research in terms of presence and presence and its value in conveying the meaning, and these philosophies have brought about a change in thought and selfawareness of the human dimension in a fundamental way, so the body has become a center in which man realizes himself in the world while at the same time the medium of his presence in a specific medium, Therefore, the research indicated the relationship between thought and matter in its multiplicity of frameworks between the soul / mind (the mind) and the body / body (the brain) to raise that philosophical question about the extent to which the physical arrangement controlled by the rules of physics can be a thinking pattern, and can a machine subject to those laws be She thinks, and thus assigned to her mental states.

In light of the foregoing, the current research included four chapters, the first chapter dealt with the research problem, which was the questioning about (how to employ the dualism of thought and material in the performance of the actor in the contemporary theatrical performance?) The first chapter also included the importance of research and the need for it and the goal of research and the limits of the research and ended with defining terms That were mentioned in the main research title and defined procedurally.

The second chapter (theoretical framework) included two topics, the first (the philosophical approaches to the dichotomy of matter and matter), and the second topic (representations of thought and matter dramatically).

As for the third chapter (research procedures), it included the research sample, the research tool, the research methodology, and the analysis of the research sample, which was represented by a play (Who ..

Who ..

Why (?.

The fourth chapter (results and conclusions) also included the results of the analysis of the research sample, the most important conclusions, recommendations and proposals, and the research was concluded with referrals and a list of sources and references.