التطابق الثلاثي في الميثاق السيرذاتي من الاعتراف إلى المخاتلة : بحث في المرجعية

Abstract EN

The congruence between the author, the narrator, and the personality is one of the most important conditions on which the autobiographical pact is based.

the original is about his life, so he is the author and the storyteller, and he is the main character at the same time, but writers often resort in their confessions to selecting events, so the autobiographical discourse becomes, despite what the writer pledges of honesty, refusing to strip naked, and in front of this artistic commitment to telling the truth, the problem of confession, in its ecclesiastical sense, arises.

where the confessor tells the church man all his secrets in order to obtain forgiveness, which makes the influence of Philippe le Jeune on the confessions of Jean-Jacques Rousseau especially in the element of honesty, although it is acceptable to the churchman because it is in a narrow framework, it is unpalatable in the narrative novel because it often contradicts with social and ethical frameworks, which makes the serratological charter that the author holds with the recipient evasive, in which he moves from confession to deception.