Performative utterances and gender performance in Shakespeare’s Richard III
Other Title(s)
النطق الأدائي و النوع الاجتماعي المكتسب (في مسرحية شكسبير) ريتشارد الثالث
Author
Source
Issue
Vol. 2019, Issue 36 (s) (31 Dec. 2019), pp.115-132, 18 p.
Publisher
Bethlehem University Office of the Deanship of Research
Publication Date
2019-12-31
Country of Publication
Palestine (West Bank)
No. of Pages
18
Main Subjects
Abstract EN
This article aims to analyze the discourse of cursing and gender performance in Shakespeare’s Richard III (1592) through Judith Butler’s theory of gender as a performative act in conjunction with J.
L.
Austin’s concept of performative utterances, in order to further a cultural understanding of the beliefs surrounding curses in early modern England.
I deploy Richard III as a case study to demonstrate that speech-act theory is applicable in a dramatic text, a context that Austin failed to consider when he theorized illocutionary acts.
Since the construction of feminine identities in Richard III is based on performance-- in early modern England boy actors impersonated female figures vocally and physically, I argue that curses are gendered feminine despite the fact that cursing women transgress the conventional feminine virtue of silence and despite the cultural belief that curses produce agency of which women are conventionally deprived.
As such, the discourse of female cursing can be read as a case of minor literature, a mode of enunciation that challenges and eclipses Richard’s discourse, and which emanates from the conventional view that the female curse is a performative speech act that is divinely endorsed.
It is an effective means of retaliation, leading to the destruction of villainous figures.
American Psychological Association (APA)
Hamamrah, Bilal. 2019. Performative utterances and gender performance in Shakespeare’s Richard III. Bethlehem University Journal،Vol. 2019, no. 36 (s), pp.115-132.
https://search.emarefa.net/detail/BIM-1337712
Modern Language Association (MLA)
Hamamrah, Bilal. Performative utterances and gender performance in Shakespeare’s Richard III. Bethlehem University Journal No. 36 (Special issue) (2019), pp.115-132.
https://search.emarefa.net/detail/BIM-1337712
American Medical Association (AMA)
Hamamrah, Bilal. Performative utterances and gender performance in Shakespeare’s Richard III. Bethlehem University Journal. 2019. Vol. 2019, no. 36 (s), pp.115-132.
https://search.emarefa.net/detail/BIM-1337712
Data Type
Journal Articles
Language
English
Notes
Includes bibliographical references : p. 130-132
Record ID
BIM-1337712