مستويات الإيقاع في خطاب ثلاثية أحلام مستغانمي

Abstract EN

The rhythm of writing emerges in Ahlam Mosteghanemi's trilogy through its reliance in building the musical image on self-rhythm, emotional emotion, and the revolutionary charge rebellious against the usual and prevailing, in terms of language and semantics, which helped to deepen the intellectual, human and existential dimensions of the narrative discourse.

the narrative rhythm in the trilogy is complex, and we will try to study examples of it in the three novels in their interconnected relational fabric through images, meanings, symbols and connotations.

therefore, we will try to monitor the most important aspects of the common narrative rhythm between the novels, with their worlds and their mental, imaginative, temporal, spatio-historical and temporal spaces.

starting from the question : what is the strategy of employing rhythm in the narrative text of the trilogy ?.