الصوت و الصدى في قصيدة "من روميات أبي فراس الحمداني" لمحمود درويش : دراسة في آليات التناص

Abstract EN

This paper is a critical attempt to further examine the above mentioned poem, in order to analyze its artistic structural sense, especially the intertextuality of the of the poems that tends to bring out the spirit of the old poem in a manner that evokes the old experience in it.

Whereas the poet -Darwish- tries to escape the melancholia of his reality through reliving the experience, both poets, who represent the bilateral (sound & echo) had being imprisoned.

It also approaches the artistic techniques that the poet used to create the alternatives that are able to change reality, or create another one, where the poet is able to merge from his prison into a different space of freedom.