تجليات الصورة اللاشعورية في رسوم جوزيبي ارسيمبولدو

Abstract EN

The current research sheds light on (manifestations of the unconscious image in Giuseppe Arcimboldo's drawings) because the image is based on a state of mind that aims to free imagination from the bonds of the mind to produce an art reached through the process of thinking even if it is irrational.

the research covers four chapters, the first of which contains the problem, which is presented in the form of the following questions : (how is the unconscious image embodied in the pictorial achievement? and in what stylistic and constructive way through which the artist Giuseppe embodies the unconscious image and its psychological content in the pictorial surface?).

the chapter also includes the importance of the research and the need for it, in addition to the aim of the research as well as the limits of the research and its terminologies.

the second chapter, the theoretical framework, involves two topics.

firstly, it involves the conceptual dimension of the manifestations of the unconscious image.

secondly, it involves the polarization of the subconscious images in art.

the third chapter includes the analysis of the samples of the research which amount to (3) samples.

and the research ends with the fourth chapter, which is consisted of a set of findings, conclusions, recommendations and suggestions.

among the most prominent results are the following : (1) the artist embodies the unconscious image through constructive and cognitive treatments which are characterized by precision and craftsmanship with a sensory return to the partial substance, such as a book and chicken, without any link between one part and the other.

the search ends with a list of references and appendixes.