تحولات العلامة في عروض سعد هدابي المسرحية

Abstract EN

The sign is cognitive semiotics in which settles all knowledge and human sciences, by transforming it on a sign basis that is subject to a verbal, linguistic, written and non-verbal system, and this indicates the position of the science of important signs in many cultures, the cultural readings related to the life of society and its multiple knowledge production, the multiplicity of the signs themselves, and thus the relationship of the signifier with the signified is the main engine of the pictorial mobility within the theatrical performance, as the theatrical performance is a sign system as well.

the aim of the research, its limits, the definition of terms, and then the procedural definition semiotics and its concepts.

the mobility of signs in the theatrical performance as for the third chapter, it came in it (the research community and the research sample that was chosen in an intentional way, then the and finally, the fourth (research tool, the research methodology and the analysis of samples) chapter, which contains (conclusions, conclusions, suggestions and recommendations).