العدول عن أصل الترتيب و غاياته الأسلوبية عند الزمخشري

Abstract EN

The concept of deviation from the origin has received a great deal of interest among rhetoricians and critics, and even their consensus on its centrality in the creative work is almost completely confined to the extent that it connects between technical and non-technical rhetoric.

Talking about the concept of deviation is not legitimate unless there is an indication of a supposed original pattern against which to measure the amount and extent of change, because acceptable deviation is the deviation that is in line with the system established by Arabic for its language, consistent with its laws in terms of structure and meaning.

It should be noted that the term deviation does not mean breaking away from the language system to the point of chaos, whereby the meaning becomes ambiguous, as the matter remains in accordance with the criteria that guarantee the meaning and its clarity.

There are various types of deviation, the most prominent of which remains the one from the original deviation by presenting what was arranged by the delay or vice versa, and that each element has its significance depending on its position in speech, and according to the statuses and conditions.

However, the first purpose of presenting an element is that mentioning it is more important than mentioning the rest of the parts of speech, and taking care of it More than taking care of others.

The research attempted to stand at some rhetorical kindnesses calling for deviation from the arrangement origin in al-Zamakhshari, which he tried to justify, highlighting the delicate linguistic sense in the Qur'anic composition, and the energy in his systems for clarification using the simplest methods.