خصائص الإيقاع في المعارضات من خلال "يا ليل الصب" و معارضة شوقي لها

Abstract EN

We have made talking about rhythm in this area the major thesis and we have linked it to the opposition as a systematic form based on good follow-up and modeling.

And we tried to overcome his difficulties end and observation, domesticated by two rhythmic approaches to test their ability to light his opacity.

We brought a very ancient one.

And it is the symptomatic approach that domesticates the performances, thinking that it surrounds the rhythm and takes all the creative achievement, previously and later.

And we took another approach related to modernity, which is Ayachi's music.

It was noted that the first approach involved rhythm, based on our recognition of the effectiveness of crawlers in altering their features, even by a measure.

And it turned out that the second enabled us to have different rhythmic signs.

However, it does not reach the rhythm except for a small amount.

Therefore, our contract is related to the dictionaries, which enabled us to clarify the contrast between the two models that were chosen in the ranks of strength and weakness that music was unable to express about.