التصوف في الأغنية الشعبية المغربية
Other Title(s)
Sufism in the Moroccan folk song
Author
Source
مجلة ابن خلدون للدراسات و الأبحاث
Issue
Vol. 1, Issue 1 (31 Aug. 2021), pp.47-66, 20 p.
Publisher
Ibn al-Arabi Center for Culture and Publishing
Publication Date
2021-08-31
Country of Publication
Palestine (Gaza Strip)
No. of Pages
20
Main Subjects
Arts
Sociology and Anthropology and Social Work
Islamic Studies
Abstract EN
The duality of “art and religion” has received great attention since ancient times, as the prevailing belief was that art is inspiration from top to bottom and that every creator has a god or a demon who inspires his art and creativity.
Where the oldest arts such as architecture, sculpture, photography, music, dance and poetry appeared.
Through this study we try to invoke the same duality, but in its connection with a special religious context represented by the search for the effect of Sufism in the body of the Moroccan folk song.
It is the same poet who will produce another picture of the possible relationship between poetry and religion, as the poet aspires through this to achieve social harmony in light of religious harmony and the consolidation of the principles of Islam and faith in the hearts of members of society, i.e.
(the recipient of the song).
American Psychological Association (APA)
البوعناني، كريم. 2021. التصوف في الأغنية الشعبية المغربية. مجلة ابن خلدون للدراسات و الأبحاث،مج. 1، ع. 1، ص ص. 47-66.
https://search.emarefa.net/detail/BIM-1345631
Modern Language Association (MLA)
البوعناني، كريم. التصوف في الأغنية الشعبية المغربية. مجلة ابن خلدون للدراسات و الأبحاث مج. 1، ع. 1 (آب 2021)، ص ص. 47-66.
https://search.emarefa.net/detail/BIM-1345631
American Medical Association (AMA)
البوعناني، كريم. التصوف في الأغنية الشعبية المغربية. مجلة ابن خلدون للدراسات و الأبحاث. 2021. مج. 1، ع. 1، ص ص. 47-66.
https://search.emarefa.net/detail/BIM-1345631
Data Type
Journal Articles
Language
Arabic
Notes
يتضمن هوامش.
Record ID
BIM-1345631