Hollywood campaigns against Arabs and Muslims between feeding with violence and the pretext to fight terrorism

Abstract EN

American cinema is considered very extremist, as it feeds violence with trick, war and political propaganda, and it calls for sacred and mysterious wars, and keeps its war ongoing and continuous, in light of the American war on terror and the “holy image” war that stereotype life and distorts ideas and shapes trends to rebuild Values and patterns.

Hence, it is competing with terrorism in Conflict areas-such as the Arab region- by exploiting violence and by mixing awareness with its opposite.

Hollywood has treated the idea of terrorism as an idea containing extreme marketing stimuli, so after the events of September 11 it used a strategy that it armed with a holy image, and allied with politics to produce the dominant power symbolically, culturally and psychologically.

And here we ask questions about the tools and concepts that heralded (such as Islamic utopia), and we delve into the backgrounds, premises, goals and dimensions of this war based on lies, shorthand and camouflage, in light of Hollywood's tendency to use the image to distort Muslims.