التناص : أنواعه و مظاهره في شعر محمد بلقاسم خمار

Abstract EN

When you are looking at creative works, whether poetic or prose, by poets or writers, it may seem to you that you have previously passed on some words, phrases or poetic verses similar to what you read, or inspired by, or bearing some of their contents, or that they are a mixture of them, and you may judge in the folds of yourself on this procedure with several critical judgments.

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but critics recently have judged this procedure as entering into the door of intertextuality, which is a western term that they considered an alternative or synonymous with ancient Arab critical terms, the closest of which is quotation or inclusion.

., and the latter has received responses actual between acceptance and rejection, and in this work I try to understand the term intertextuality, highlighting its most important types and manifestations in the poetry of Muhammad Belkacem Khammar.