ميكانيك الجسد في مسرح مايرهولد بين القمع الأيديولوجي والثبات الفني الإبداعي

Abstract EN

Theatre to many people is a form of entertainment, yet it is a world of art that is filled with artistic and human values.

over history, this world came through different social, political, and ideological constraints.

as a result, it becomes a scapegoat to political domination to prove a popular ideology.

Meyerhold’s theatre is a vivid example to such a paradoxical situation that is against all artistic and aesthetic values, it is the fact, which transforms this international artist into an enemy to his population.

instead of his loyalty to the Bolshevik revolution, his openness at the international art and his rejection of the proletarian culture caused his execution.

thus, the aim of the present paper is to shed light on Meyerhold’s theatre using a socio-historical approach to investigate the huge damage brought by the ideological domination on his artistic path, without forgetting the artistic principles of the biomechanics theatre.