التشكيل السردي في منمنمة محمد راسم

Abstract EN

We find Racim’s extension to the schools of Islamic painting, and it is evident in his handling of historical topics and filling the void with decoration and bright colors.

a remarkable fact about him is that he got rid of the traditional narrative method whereby he focuses on simulating the events of the story.

the artist's miniature deals with a historical character: "Khair el-Din Barbaross”.

the narrative events were not consecutive, so they were interspersed with temporal paradoxes represented in recalling the return to the past, as well as providing anticipation as predictions and anticipation of a future in which Algeria will return to its prestige.

we also find narrative techniques in the case of acceleration using the technique of summary and deletion with a focus on important events, but in the case of disruption resort to the descriptive stand technique to get out of the monotony of narration.

Racim revived his heritage with modern touches, which indicates his passion and strong devotion to his homeland in an explicit way.