الموروث مهيمنا نصيا في شعر احمد دحبور نماذج مختارة

Abstract EN

We conclude from the foregoing that the dominance of the heritage text over the models under study of the poet Ahmed Dahbour was characterized by effectiveness, because the poet, in his attempt to draw inspiration from the inherited texts, imparts a lot of depth and awareness that are considered an inevitable summary of the outputs of the inherited text, with the wisdom accumulated by experience and practice, as well as Noted that the style of inspiration was not without movement; Because the poet did not intend to employ rigid, in most cases, but was modified, transformed and sometimes inverted the significance of the inherited text in proportion to the new event.

Dahbour's use of the heritage text diversified; Sometimes we see him employing the traditional text in partial symbolic employment, not extending over the entire area of the poem, but rather glowing in some places and fading in other places, while he draws inspiration from the inherited text in a more broad and comprehensive manner at other times, as we saw in the poem (Return to Karbala), which leaned Entirely on the heritage reference, starting with the title, and extending to the entire text, whose scenes and images emanated from the historical scene, the new event in its dialogue and interaction with the old event.

Unlike other inherited texts, the mythical tradition was not exhorted with clear interest in Dahbour's poetry, and this may be due to Dahbour's adherence to the popular class, his tendency to address it and approach its conscience, and to move away from what might be constricted to its understanding or interpretation.