المبنى الحكائي و تنازع النص : قراءة في رواية (شواطئ الدم شواطئ الملح)‎ لإبراهيم حسن الناصر

Abstract EN

The novel remains an imagined material that derives its narrative flow from reality, and the world of the novel in (Blood Shores, Salt Beaches) takes place in the eighties of the last century, when the (Iraqi- Iranian) war and its language oscillates between love and war.

The study included this narration in fifth chapters and a conclusion preceded by an entry in which we explained the title, the fact that the narrative body is the primary material of literature, from which its narrative structure is derived.

The second came about (dialogue dispute.

Which represents the search for truth in the general direction of the world of the novel, when the writer searches for the language of life away from the language of death and destruction by adding the story to another in which he contemplates life, while the third topic was on (language shifting and forming meaning By means of which the writer expresses his intense poetic treasure that symbolizes goals in his foolish world, while the fourth study deals when the imagination is called to displace reality and replace it with an illusion, to remove its romantic repressions and emotional overflows.

About (suddenness of the event and merging the ending at the beginning).

And that is through the dramatic scenes of the labyrinth of narration, through a transient event that is thrown into the arms of the text with which to reinforce the basic scenes, and in the fifth and final topic it was about (alienation and fragmentation of the self) which is when the element of citizenship becomes non-existent as well as ignoring the affiliate incubator of the parish, then the dissonance between the individual and his identity is born Patriotism thus lives in a pessimistic isolation, in addition to the conclusion in which we provided the most important findings of the research, and then the list of sources and references.