إيقاع الجسد : قراءة في نقد النقد عند محمد صابر عبيد

Abstract EN

Through this text, which I claim is accurate, conscious and simplified, I tried to shed light on critical thought and critical language to clarify the contents, visions and ideas of the writer ''Muhammad Saber Abaid'' through reading his critical works and his books, which are close to eight books, in which the critic addressed the topic of the body and its rhythm.

The research focused on the writer’s vision and his attitude on the ideological Western philosophical thought, and from the Arab romantic narrative imaginative, and the research revealed the most important contents of the aesthetic and creative values of the critical line taken by the critic Muhammad Saber Abaid and his critical language and the extent of touching the form of confronting the threads of the critical game and what the critic wanted to reach Of visions, thought, significance, and depth to achieve monetary effectiveness, and try to read that as is available and possible.

The subject of the rhythm of the body is a thorny, important and delicate topic, which took a broad aspect of Muhammad Saber's critical books, and through my studies I tried to navigate these contents, titles and rhythms of visual and semantic hearing.