الاقتباس القرآني النصي و الإشاري في شعر حازم رشك التميمي : دراسة تحليلية

Abstract EN

Perhaps the cultural heritage constitutes an ideology of the author as well as what he possesses of self-possibilities such as imagination and emotions one of those ideologies that the poet reclines on is the religious inheritance, whether conscious or unconscious this is what we allude precisely in the poetry of the Hazem Rashk whose memory is accumulated by religious heritage, especially Islamic, for the holy Qur'an is the icon of the Islamic religion as well as the hadith of the prophet and the sayings of the companions and followers.

you deal with the sacred text in two moments an indirect note in which he did not adhere to the verbal transmission of the text a direct note is observed by a literal quotation whose memory is accumulated by religious heritage, especially Islamic, for the holy Qur'an is the icon of the Islamic religion as well as the hadith of the prophet and the sayings the prophet's owners and followers the deal with the holy text in two moments one time which he did not adhere to the verbal transmission of the text and another time is observed by a literal quotation in both cases, the qur’anic text formed the basis for his public in order to impose a suggestive and pilgrimage charge for its paving from what was born a text indicating the noble and noble connotations, because it was drawn from a specific and inexhaustible source the poem is affiliation and significance, regardless of the meaning intended by the poet Hazem Rishk agreed on investing in the Quranic text, so he is no longer a foreign body, and this stems from the capabilities and originality of the poet on the technical and substantive levels.