تمثلات ديستوبيا المكان في النص المسرحي العراقي المعاصر

Abstract EN

The contemporary world has undergone various and multiple changes that included the economic, political and cultural aspects.

These variables established a shift in the harmony, culture, and affiliation of human values, and the most recent change in aesthetic value was the construction floor of literary and artistic works.

The creation of the Arab Spring in 2011 established a qualitative leap in changing governance systems and globalizing the world until it became A small village pushed these data as reasons for human production, especially literary and artistic creativity, Accordingly, and for the purpose of reaching the goal of the research, the researcher worked to divide the research into the methodological framework and included the research problem, which was identified by the following question (rep-resentations of the constitution of place in the contemporary Iraqi theatrical text), as well as the objective of the research and its limits and defining the most prominent terms, while the theoretical framework addressed two topics, the topic The first concept of dystopia, The second topic took the representations of the place’s constitutionality in the structure of the global text, and the indicators of the theoretical framework.

The researcher chose the play “The Places of Ismail” as a sample for the research.

In it the strategies of different literacy perceptions at the level of the personal-the constitutional place