الايقاعات البديلة في قصيدة النثر من خلال ديوان مرثية لقارئ بغداد لزينب الأعوج

Abstract EN

is no longer based on the method of artistic construction according to a modern form of linguistic bond that is formed and renewed, and it is no longer full of the traditional Khalili column, but rather goes beyond the production of visual visual music, which is an non-vocal movement produced through the generation between one form and the other.

This visual movement generated from plastic material is essentially a mental movement that appears through the process of generating the component of rhythm in its various forms, and its components of symbols and punctuation marks, spaces distributed between white and black, and the balance of mass with space within the text.

From here, the question of what is this transgression became a necessity, so what is the transgression here? What is a renewal? How does it contribute to expressing the collective consciousness of the nation through creative texts?