إنتاج دلالة المعنى اللغوي في التصوير السنيمائي : فيلم الرسالة أنموذجا

Abstract EN

The speaker about the Arabic language, especially its words and vocabulary that are reproduced through the so-called feature of derivation, notes that the semantics and meanings of its vocabulary in Arab cinematography has its own features that summarize all cinema scenes when they are through verbal signs.

The producing of linguistic meanings semantic in cinematography is related to the cinematic text content.

The producing of linguistic meaning's semantic in cinematography is related to the cinematic text content, where the actor is considered a bridge between the text and the scene, and he must master the creation of the text meanings semantic and its content.

We have perceived that in the heritage and historical films that are committed to using Arabic as an official language for the text, and we mention from those movies the movie “Al-Risala” and the movie "Omar Al-Mukhtar", and many other films of Arab Islamic history.

Accordingly, our topic lies in posing the problem of: How does cinematography participate in the production of linguistic semantics of meaning through it? The aim of this article is to search about the relationship between the semantics of the Arabic language and its meaning in the cinematic scene when the Arabic language is at the forefront of the languages used in the cinematic text.

We have noticed many foreign films in different languages, but the flavor of the Arabic word in cinematography had a global resonance, and this is what happened with the world famous and well-known film Al-Risala.