معالم الإبداع اللغوي في القصة القصيرة جدا : قراءة في نصوص قصصية مختارة

Abstract EN

Very short story spread widely in the world in general and in the Arab Maghreb in particular, and became famous in cultural magazines and scientific forums, so I considered one of the most prominent features of the narrative art, characterized by its flexibility and its ability to absorb and communicate information in the least time possible, as a literary characteristic of the characteristics this era, formed a prominent phenomenon is unmistakable reader in-depth, hence began to penetrate into the literary scene under the title (very short story).

however, this narrative genre has been associated with new techniques based on intellectual cultural reference, which gives the narrative discourse a semantic flavor that conveys it to the circumstances of the times and the culture of its writers who are displaced to intensive linguistic techniques and aesthetic components, including the meaning of irony, irony and sarcasm of the silenced reality.

for him, the storyteller takes fuel for the very short story and sails the pen to the ports of creativity.

this article seeks to identify the features of linguistic creativity in the very short story based on selected story models of many writers such as : Hassan al-Batran, Mona Sabri, Hussein Azareth, Abdul Rahim Altdlawi, Hassan Bartal, Shima Shammari.