إشكالية الموضوعية في نقد الترجمات الشعرية: دراسة مقارنة لترجمات عربية لقصيدةHarmonie Du Soir للشاعر الفرنسي "شارل بودلير"

Abstract EN

This article examines the topic of criticism of poetic translations and its various approaches.

starting from a blog of three Arabic translations of the poem (Harmonie du Soir) by charles "Baudelaire", focusing on the poetry of translation of "Henri Meschonic" through which he sought to get out of the trap of the language sign (signifiant / signifying), where "exporters" sided with the (signifiant) on the pretext of honesty to the original text, the aimists are biased with the meanings on the pretext of communication.

a critic of poetic translations resorted to interviewing the original text with his translation to reveal how the translator fulfilled the meaning or structure of the poem.

but in poetry, the meaning lies in the form.

on what basis does the critic differentiate between different poetic translations of one poem? is this comparison based on his judgment on the content of the translated poem, or on its form? or is it on other grounds?.