آليات التشكيل البصري عند الشاعر نجيب جحيش من خلال ديوانه (عناقيد النشيج)‎

Abstract EN

Algerian creativity is no longer immune to many critical topics and issues in which Arab poets have fought, as contemporary poetic writing has been experimenting and has made many strides with all its beauty and boldness.

Perhaps one of the most important of these concepts is Tima (optical modulation), which relies on the geometry of visual writing, which has moved the poetic text from the oral image to the visual image by revealing its semantic dimensions, and by demonstrating visual artistic aspects.

This study came to the convergence of the visual composition of the poet (Najib Jahish) through his diwan (clusters of the sobbing) by highlighting the mechanisms that embodied the visual formation and revealing its semantic dimensions.