المنهج الأسلوبي في النقد العربي الحديث: بين الوافد الأجنبي والرافد البلاغي

Abstract EN

The western stylistic lesson emerged from the efforts that presented by Charles Paley the student of De Saussure, when he discovered that the difference between styles appears when language is combined with its users in its pragmatic dimensions and those daily spontaneous expressions of language show the difference between people classes, and he completed his picture with Leo Spitzer and Rifater and others, then stylistic divided into branches each branch of them dealt with a style according to its angle, as its concept was linked with the creator and the text as well as to the recipient and by the act of acculturation a preliminary picture of the Arab stylistic lesson was formed by Abd ElHadi El Tarabulssi, Ahmed El Shayeb, Abd ElSalem El Mesdi and others who paved the way for it.

Although Arab stylistics was not independent of Western stylistics, the stylistic analysis of Arab literary discourse did not get rid of the data of ancient Arabic rhetoric, statistic readings and its interpretations, and remained confused between the Western linguistic newcomer (from which he derives his theories) and the rhetorical inheritance.