الأسطورة و حقولها الدلالية في الشعر العراقي المعاصر : الأعمال الشعرية عدنان الصائغ أنموذجا

Abstract EN

Myth is considered one of the modern foundations and one of those aesthetic expressive tools from which contemporary poets in the Arab world in general and Iraq in particular started relying on it in building their images and creations.

the goldsmith who was interested in heritage, and in general, his employment of legend contributed to giving human dimensions to the poetic purposes he treated, and to enriching his artistic experience with what it provided of inspiration, intensification, intellectual depth, and immersion in time.

he was also able to cMonvince us of his experience, by adding the voices of his readers to the voices of the heroes of his legends and revolutionaries in the face of the tyrants of the world.

the Iraqi poet Adnan al-Sayegh tried to make myth an aesthetic tool that serves the poetic subject, and performs an aesthetic function that helps enrich the connotations, and reveals the urgency or emphasis he seeks.

the legend has been abundantly contained in his poetry and has been removed from its true meaning to bear new connotations and visions.

through the two approaches : historical and descriptive, this article attempts to study the myth and analyze it in the poetry of Adnan al-Sayegh, to identify the myth and some of the myths that are used in al-Sayegh’s poetry so that we know the poet’s goals of using myths.