الدراسات الثقافية و النقد الثقافي

Abstract EN

Cultural studies, since their emergence, have been prominent issues and problems that have occupied the critical arena, as a systematic real revolution on traditional literary monetary curricula and on literary artistic discourse; For its post-modernist presentation, it contributed to the emergence of many marginal anti-central discourse speeches, among them cultural criticism, which is one of the highlights of contemporary monetary theory, with its views, so it stormed the literary monetary arena and captured the orientation of critics.

During this paper, we will look at the conceptual theoretical framework for cultural studies and criticism.

Our research adopts a number of objectives to build an integrated methodological and cognitive framework between cultural criticism and cultural studies, trying to detect the basic references and concepts in this area by answering the problems of research: How did cultural studies arise? What is the role of Birmingham School in its development? How has cultural criticism emerged? What are its mechanisms?