الرواية التاريخية السينمائية: وعي الكتابة وانفتاح النص المشهدي: مشهد "علي موت و اقف" أنموذجا

Abstract EN

In this research, we try to show the reader the limits of attraction between the novel, the story and the cinema, due to the intervention of the text of the novel in the world of cinema, through a semiotic approach to the 'cinema scene'.

From the novel "Opium and the Stick" by the Algerian writer Mouloud Maamari, who was embodied by the Algerian director Ahmed Rachidi in the movie "Ali Died Standing".

In addition to revealing the role of cinemas in activating the texts of the historical novel and reconstructing them according to appropriate scenarios through which wonderful cinematic scènes are formed.

This is what is noticed by the scenes of the movie "Opium and the Stick", as if the movie relives the historical stages of the revolution in a wonderful and enjoyable way, for a novel that remained between the covers for a long time.

from a book.